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Seeing Color in Classical Art: Theory, Practice, and Reception, from Antiquity to the Present  

Военная история / Seeing Color in Classical Art: Theory, Practice, and Reception, from Antiquity to the Present
  • Автор: gerza 13-12-2022, 21:11
Seeing Color in Classical Art: Theory, Practice, and Reception, from Antiquity to the Present

Название: Seeing Color in Classical Art: Theory, Practice, and Reception, from Antiquity to the Present
Автор: Jennifer M. S. Stager
Издательство: Cambridge University Press
Год: 2022
Страниц: 343
Язык: English
Формат: True PDF
Размер: 43 MB

The remains of ancient Mediterranean art and architecture that have survived over the centuries present the modern viewer with images of white, the color of the stone often used for sculpture. Antiquarian debates and recent scholarship, however, have challenged this aspect of ancient sculpture. There is now a consensus that sculpture produced in the ancient Mediterranean world, as well as art objects in other media, were, in fact, polychromatic. Color has consequently become one of the most important issues in the study of classical art. Jennifer Stager's landmark book makes a vital contribution to this discussion. Analyzing the dyes, pigments, stones, earth, and metals found in ancient art works, along with the language that writers in antiquity used to describe color, she examines the traces of color in a variety of media. Stager also discusses the significance of a reception history that has emphasized whiteness, revealing how ancient artistic practice and ancient philosophies of color significantly influenced one another.

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